BOOKS / 出版物

Landscape Gardener Ogawa Jihei and His Times

Landscape Gardener Ogawa Jihei and His Times

A Profile of Modern Japan

Suzuki Hiroyuki
Translated by Hart Larrabee

Architecture

¥2,700

Published by JPIC | Hardcover | ISBN 978-4-86658-019-7 | 272 pages | 210mm (h) x 148mm (w) | March 2018

About the Book

Securing the generous support of the politicians and industrialists who propelled Japan’s modernization, Ogawa Jihei VII created many outstanding gardens at the end of the nineteenth and the first few decades of the twentieth century. Expressing a Japanese aesthetic even while incorporating modern techniques, his methodology reveals the nature of modernization as Japan experienced it. With a keen eye for architecture, author Suzuki Hiroyuki takes a long-awaited look at modernization and the modern garden. Awarded the Architectural Institute of Japan’s Annual Prize for Publication in 2014.

“The people who sustained Japanese-style culture from the Meiji through early Showa periods overlap neatly with those who drove Japan’s modernization during that same period. Since those who sustain culture in any given period of time are inevitably those who sustain the state, this may seem utterly unsurprising. The point I wish to make, though, is that the Japanese-style culture they sustained was a modern Japanese culture that functioned as a greatest common denominator, and that Ogawa Jihei was the landscape gardener who stood at its center.”

(From Chapter 2)

About the Author

SUZUKI Hiroyuki

Born in Tokyo in 1945, Suzuki completed the doctoral course at the University of Tokyo Graduate School of Engineering in 1974 and was later awarded the Doctor of Engineering degree. After studying overseas at the University of London Courtauld Institute of Art and working as a full-time lecturer at the University of Tokyo Faculty of Engineering, in 1990 he began working as a professor at the University of Tokyo Graduate School of Engineering. After retiring from this position, he was named professor emeritus at the University of Tokyo. In April 2009 he began working as a professor at the Aoyama Gakuin University School of Cultural and Creative Studies. In April 2010 he was appointed drector of the Museum Meiji-mura, a position he held until his death in Tokyo in 2014.
Publications include: Tōkyō no geniusu roki [Genius loci in Tokyo] (Bungei Shunjū, 1990, Suntory Prize for Social Sciences and Humanities); Vikutorian goshikku no hōkai [The collapse of Victorian Gothic] (Chūōkōron Bijutsu Shuppan, 1999, Society of Architectural Historians of Japan Prize); Toshi no kanashimi [The sadness of cities] (Chūōkōron-Shinsha, 2007); and Kenchiku: Mirai e no isan [Architecture: A legacy for the future] (A posthumous collection of manuscripts edited by Itō Takeshi, University of Tokyo Press, 2017).

内容紹介

日本の近代化を推進した政治家、企業家たちから絶大な支持を得て、数々の名庭園を造り続けた七代目小川治兵衛。西洋の技術を導入しつつも和風の美を表現したその手法に、日本という国が経験した近代のあり方をみる。建築に鋭いまなざしを注いできた著者による待望の近代庭園論であり近代化論。日本建築学会著作賞受賞

「明治から昭和初期にかけての和風文化の担い手は、その時代を通じて日本の近代化を推進した人々と見事に重なる。文化の担い手はつねにその時代の国家の担い手であるのだから、なにも驚くには価しないという見方もあろうが、ここで問題にしたいのはそのことではなく、彼らが担った和風の文化が、最大公約数としての近代日本の文化であったという点である。小川治兵衛はそうした和風の文化の中枢に屹立する庭師であった。」

(第2章より)

著者紹介

鈴木博之

1945年,東京都生まれ.1974年,東京大学工学系大学院博士課程修了.工学博士.ロンドン大学コートゥールド美術史研究所留学,東京大学工学部専任講師を経て,1990年より東京大学大学院工学系研究科教授.2009年より青山学院大学総合文化政策学部教授.東京大学名誉教授. 2014年東京にて卒去.

主著:『東京の[地霊]』(文藝春秋,1990年,サントリー学芸賞),『ヴィクトリアン・ゴシックの崩壊』(中央公論美術出版,1996年),『都市へ』(中央公論新社,1999年,建築史学会賞),『都市のかなしみ』(中央公論新社,2003年),『建築の遺伝子』(王国社,2007年),『庭師 小川治兵衛とその時代』(東京大学出版会,2013年),『建築 未来への遺産』(伊藤毅編[遺稿集],東京大学出版会,2017年)ほか多数.

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Original Japanese Version / 原書情報

庭師 小川治兵衛とその時代

庭師 小川治兵衛とその時代

鈴木博之 著

東京大学出版会 刊

http://www.utp.or.jp/book/b306523.html